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documentary evidence mute records / non-mute blog by mat smith search main menu skip to primary content skip to secondary content home about documentary evidence post navigation ← older posts parallax – push for the love of life (mute records single, 1993) posted on june 10, 2018 by 429harrowroad reply according to something i read back in 1993, mute had not signed any new artists to the label for some time, the last new artist being moby who joined the label the year before. parallax , whose first single ‘push for the love of life’ was released by mute that summer, were supposed to be mute’s hot new talent. the project of jason young , parallax were a bratty outfit grappling with the vernacular of hardcore rave, mixing those sounds with harsh industrial noise blasts and the type of rapping favoured by the likes of pop will eat itself. ‘push for the love of life’ would prove to be one of just two singles released by the band before promptly disbanding. ‘push for the love of life’ was written and produced by jason young and engineered by julian briottet, brother of renegade soundwave ‘s danny briottet . though at times it feels barely a fraction above demo quality, ‘push for the love of life’ remains a personal favourite. the song is characterised by a frantic (if far too quiet) 4/4 drum rhythm and urgent bass line. over that young drops in a concise array of droning sounds, rave whistles, sampled snarling metal guitar, sirens and so on, topped off by impassioned and defiant rap. whilst this brand of agit-rap hasn’t aged terribly well, there is a desperate quality to it, the track ending with a frustrated ‘ never let go ‘ from the frontman. in addition to the main single-length savage mix, the 12” and cd also features two further versions – the valentine mix and an instrumental version (credited on the promo 12” as an extended instrumental mix). the valentine mix ditches the vocal and adds acid-style synths which would give this mix a dancefloor appeal were it not for the simplicity and lack of club-friendly punch that characterises the track’s beat. some ‘join in the chant’-style insistent howling is a nice touch and there’s still nothing quite so thrilling to me as a 303 sound operating on the edge of being out of control. the release is rounded off by a demo version of the track ‘no concept’ which was mixed by paul ‘pk’ kendall . someone has said that the track samples faith no more’s ‘crack hitler’ but i wouldn’t be able to verify that. ‘no concept’ has a nice breakbeat, droning washes of nagging feedback and a distorted rap that feels like it would have suited nitzer ebb ‘s douglas mccarthy . there’s a sense of dystopian helplessness on this track, signalling the rise in quality that would characterise parallax’s second (and final) release, the bullet-proof zero ep . first published 2012; re-posted 2018. (c) 2012 mat smith / documentary evidence advertisements share this: click to share on twitter (opens in new window) click to share on facebook (opens in new window) click to share on google+ (opens in new window) click to email this to a friend (opens in new window) more click to print (opens in new window) click to share on reddit (opens in new window) click to share on tumblr (opens in new window) click to share on pinterest (opens in new window) click to share on pocket (opens in new window) like this: like loading... posted in single reviews | tagged julian briottet , mute , mute records , parallax , paul kendall , pk | leave a reply frank tovey & the pyros – grand union (mute records album, 1991) posted on june 9, 2018 by 429harrowroad reply 1991’s grand union should by rights be lauded as a masterpiece of alternative rock, however frank tove y’s reclusive persona ensured that this overlooked gem has slipped through the net. produced with pk ( paul kendall ), the album is both musically and lyrically enveloping. something of a ‘concept’ album, grand union is ostensibly a collection of skiffly, folksy and vaguely country tracks accompanied by tovey’s east end stories of the old, the new and the salient. there are many themes here, but one gets the impression that tovey’s vision of a re-developing east end, with canary wharf’s landscape-altering construction in full swing, and the docks that made britain what it once was turned into luxury restaurants and appartments invoked in him some sort of passion to head back in time and preserve the dirty docklands spleandour of old in song. at times melancholy (the ww2-recounting tale on ‘bethnal green tube disaster’), at others joyful in a ramshackle fashion (the opener ‘bad day in bow creek’), the album is largely subtle and blissfully easy on the ear. semi-acoustic guitars, banjos and clever percussion evoke all manner of moods, and when they head into indie-rock territory, as on the morrissey-esque ‘cities of the vain’, the pyros – paul rodde n (banjos and guitars), john cutliffe (bass and acoustic guitars, plus strings on the closing track ‘the great attractor’) and charlie llewellyn (drums, percussion) – more than prove their adaptability around tovey’s poetic lyrics. additional contributions come from steve smith on various keyboards, tracey booth (bodhran on ‘ikb (rip)’) and elliot carnegie, who plays jew’s harp on the opener, ‘bad day in bow creek’. somewhat more unusual, tozie lynch is credited with ‘bones’ on the same track. one imagines those bones may be among the detritus dredged up by the great thames on a daily basis. it is actually quite fantastic to hear just how well some primitive music forms lend themselves so well to tovey’s cockney vocals. his vocal is somewhere between wreckless eric and james’ tim booth, both folk and punk at the same time. his hero-worship of the great pioneering british engineer isembard kingdom brunel on ‘ikb (rip)’ is one of this album’s many high points, a time-travelling trip that leaves the grey towerblock-dominated modern london skylines far behind to witness at first hand the master engineer’s many achievements. and while we’re on the subject of masterful achievements, paul kendall’s excellent productions deserve a special mention. best known for his electronic production for many mute artists, pk brings a depth and precision to these tracks, using occasional effects with considerable restraint, but pushing the rhythm high up in the mix in an echo of his work with nitzer ebb . with grand union , i continue to be impressed by the quality of songwriting, playing and production on display here. intensely captivating and wonderfully unique, it is difficult to hear it without feeling some great sadness over the fact that the erstwhile fad gadget is no longer with us. a truly emotive gem, filled with grief, joy and a yearning for simpler times. ironically, i wrote this while heading glumly toward my own shiny modern city offices on a train wildly rushing through some of the tunnels that brunel’s colleagues were famed for. first published 2003; re-posted 2018 (c) 2003 mat smith / documentary evidence share this: click to share on twitter (opens in new window) click to share on facebook (opens in new window) click to share on google+ (opens in new window) click to email this to a friend (opens in new window) more click to print (opens in new window) click to share on reddit (opens in new window) click to share on tumblr (opens in new window) click to share on pinterest (opens in new window) click to share on pocket (opens in new window) like this: like loading... posted in album reviews | tagged fad gadget , frank tovey , grand union , mute , mute records , paul kendall , pk | leave a reply veryrecords artists reed & caroline reveal new track ‘before’ posted on june 8, 2018 by 429harrowroad reply veryrecords artists reed hays & caroline schutz have unveiled the first track to be taken from their second album hello science. the album will be released by vince clarke ‘s veryrecords on july 6 2018. (c) 2018 veryrecords share this: click to share on twitter (opens in new window) click to share on facebook (opens in new window) click to share on google+ (opens in new window) click to email this to a friend (opens in new window) more click to print (opens in new window) click to share on reddit (opens in new window) click to share on tumblr (opens in new window) click to share on pinterest (opens in new window) click to share on pocket (opens in new window) like this: like loading... posted in non-mute / related , veryrecords | tagged before , caroline schutz , hello science , reed & caroline , reed hays , veryrecords , vince clarke | leave a reply veryrecords artist alka remixes roger o’donnell’s ‘this grey morning’ posted on june 6, 2018 by 429harrowroad reply bryan michael , better known as philadelphia electronic musician and vintage synth restorer alka , has remixed ‘this grey morning’ by cure keyboard player roger o’donnell. the track originally appeared on o’donnell’s 2005 album the truth in me . whereas o’donnell’s original was all weightless, occluded synth texture and ethereal vocal dreaminess, in alka’s hands the track becomes a brooding, edgy cut driven by fat low-end and a mechanical rhythm. listen to the remix on soundcloud here or below. it isn’t the first time that alka and o’donnell have collaborated. “during his time away from the cure, roger started his own label and was looking for tracks for a compilation,” recalls michael. “this was back in the myspace days. i sent him a couple tracks and he loved them, and even bumped some folks off the album so that he could include me.” bryan michael went on to work with o’donnell on his 2008 album songs from the silver box , contributing synths and drum programming to three tracks on the moog-laden lp. the pair have also worked on other tracks together more recently which have not yet seen the light of day. alka’s critically-received third album, the colour of terrible crystal , was released by vince clarke ’s veryrecords in 2017. listen to the colour of terrible crystal on spotify here . my interview with alka about the colour of terrible crystal can be found at the veryrecords website . (c) 2018 mat smith / documentary evidence share this: click to share on twitter (opens in new window) click to share on facebook (opens in new window) click to share on google+ (opens in new window) click to email this to a friend (opens in new window) more click to print (opens in new window) click to share on reddit (opens in new window) click to share on tumblr (opens in new window) click to share on pinterest (opens in new window) click to share on pocket (opens in new window) like this: like loading... posted in non-mute / related , veryrecords | tagged alka , roger o’donnell , veryrecords | leave a reply electronic sound issue 42 – mute cover feature & the normal clear vinyl 7″ posted on june 5, 2018 by 429harrowroad 1 electronic sound have today announced their mute -focussed latest issue, featuring a major new interview with daniel miller and an exclusive clear vinyl pressing of the normal ‘s ‘warm leatherette / t.v.o.d.’ 7″. the issue also features a rundown of mute’s 2018 artist roster and a new interview with the longest-serving member of the mute community, erasure ‘s vince clarke , wherein he talks about joining the label with depeche mode , miller’s influence on him as an electronic musician, and how he approaches running his own label, veryrecords . the full announcement from electronic sound is included below. “i honestly didn’t think anybody would like it,” says daniel miller , talking about the normal’s ‘tvod’ / ‘warm leatherette’, which we are delighted to be reissuing with this issue of electronic sound. while the normal was where mute records all started, this month’s cover story finds daniel miller discussing how his label is shaping up for the future. we also profile the artists that make up mute’s class of 2018, as well as catching up with vince clarke, a man who has only ever been signed to one label for his entire recording career. click here to order now. this issue also includes a rare interview with david sylvian, discussing his soon-to-be reissued work with can’s holger czukay, a chat with finiflex, the artists formerly known as finitribe, and a drinking session with post-punkers sink ya teeth, who put us under the table. elsewhere, we speak to klaus schulze, claudia brücken & jerome froese, the orb, a flock of seagulls and lump, a new project from indie folkster laura marling and tunng’s mike lindsay. plus there’s our usual bumper mix of tech, toys, books, gadgets and, of course, the very latest must-hear album releases. this month’s exclusive music offer is a limited edition reissue of the normal’s ‘tvod’ and ‘warm leatherette’ seven-inch on crystal clear vinyl. recorded by daniel miller using just a korg 700s and a four-track tape machine, the single was the first release on mute records and is recognised as one of the most important electronic music records ever. our reissue comes in a replica of the original 1978 picture sleeve. click here to order now. (c) 2018 electronic sound share this: click to share on twitter (opens in new window) click to share on facebook (opens in new window) click to share on google+ (opens in new window) click to email this to a friend (opens in new window) more click to print (opens in new window) click to share on reddit (opens in new window) click to share on tumblr (opens in new window) click to share on pinterest (opens in new window) click to share on pocket (opens in new window) like this: like loading... posted in miscellaneous | tagged daniel miller , mute , mute records , the normal , veryrecords , vince clarke | 1 reply barry adamson – queen elizabeth hall, london, 9 february 2012 (clash concert review) posted on june 2, 2018 by 429harrowroad reply to support the release of i will set you free , barry adamson played a show at london’s queen elizabeth hall on 9 february 2012. adamson and his band – ian ross on drums, nick plytas on keys, bobby williams on guitar and maxwell sterling on bass, with the trinity strings and steve hamilton’s horn quartet – tore through tracks mostly taken from i will set you free and its predecessor, back to the cat . support came from the gilded palace of sin and comedian simon day reading poems as geoffrey allerton. i reviewed the concert for clash ‘s website with photos by andy sturmey . the full review can be reached by clicking here . thanks to stuart kirkham for confirmation of the setlist. setlist: 1. destination 2. i will set you free 3. whispering streets 4. you sold your dreams 5. if you love her 6. turn around 7. black holes in my brain 8. looking to love somebody 9. the power of suggestion 10. psycho_sexual 11. civilization 12. straight ‘til sunrise 13. stand in 14. jazz devil (c) 2012 mat smith / documentary evidence for clash // photo (c) 2012 andy sturmey for clash note: this was my first piece written for clash . up to that point, everything i had ever written had been for documentary evidence or its predecessor blogs. share this: click to share on twitter (opens in new window) click to share on facebook (opens in new window) click to share on google+ (opens in new window) click to email this to a friend (opens in new window) more click to print (opens in new window) click to share on reddit (opens in new window) click to share on tumblr (opens in new window) click to share on pinterest (opens in new window) click to share on pocket (opens in new window) like this: like loading... posted in live reviews , non-mute / related , clash reviews | tagged andy sturmey , barry adamson , clash , mute , mute records , queen elizabeth hall | leave a reply simon fisher turner – de dentro hacia afuera (the tapeworm album, 2009) posted on may 27, 2018 by 429harrowroad reply translated, literally, as from the inside out , simon fisher turner ‘s de dentro hacia afuera was issued as a white cassette on the consistently interesting tapeworm label in an edition of just 250 copies in 2009. the pieces on the cassette date back to 2002 / 2003 and the pieces fill a side apiece of the cassette. side a (‘outside’) consists of a field recording made by fisher turner of the procession of the virgen del carmen at carboneras in 2002. the b-side (‘inside’) consists of piano improvisations for the soundtrack to i’ll sleep when i’m dead , which mute released as a download in 2003. both pieces were edited, with fisher turner’s full blessing, from the original recordings by tapeworm’s founder philip marshall . the procession of the virgen del carmen takes place on 16 july each year in many spanish towns, and also in other spanish-speaking countries, marking the day of the appearance of the virgin mary to st. simon stock in cambridge. stock was the head of an order of the catholic church which had fled from persecution where they were quartered in monte carmelo, now israel, to europe. the appearance of mary to stock in 1251 was not the first time the virgin had appeared in the history if the order; in fact, the order was established because of mary’s likeness in a cloud to some men investigating two prophets. though some have subsequently cast doubt on stock’s claims, the reassurance that mary purportedly gave him, namely that those who wore the traditional scarpel – a cloth garment more or less in the shape of the cross – would be freed from the fires of hell has stuck and developed into the festival of divine celebration it has today. not that you’d necessarily deduce any of that in the recording fisher turner made on 16 july 2002. here there are segments of chattering crowds milling and thronging around; a rousing brass marching band fades in and delivers a particularly uplifting song that feels like the soundtrack to some sort of andalusian black and white movie (‘ it would be great to play this tune to mum ,’ someone is heard saying) before slowly moving out of focus; children chatter; babies cry; birds whistle, so does a man; a lone trumpet lets out a solitary blast before another rousing processional starts up, this one containing a funereal, maudlin middle section and a slightly wonky, out of tune tone; someone speaks above the crowd, prompting others to join in rapturously; what could be a piano pings out a brief high-pitched note; fireworks thunder in the sky; street sellers proffer their wares with repeated and insistent cries; a latin pop song drifts in and out of focus with a singer sounding suspiciously like andy bell from erasure ; a cycle of strange industrial clanking rhythms and atmospheric drones and echoes is unfathomable as a source; someone’s shoes squeak playfully on a pavement. divorced from any obvious religious essence, the processions recorded here could have been captured anywhere in the spanish-speaking world. the only real connection to divinity is the uplifting music, but none of those songs are exactly hymnal, and the church bells that toll at the very end of the piece. from the outside listening in, it feels like a public holiday that’s more or less forgotten why it was established, a bit like may day, an excuse to kick back and unwind without knowing what you’re celebrating exactly. it all sounds pleasant, fun, the general buzz of people having a good time. in 2003 fisher turner recorded the soundtrack to british director mike hodges’ i’ll sleep when i’m dead , starring clive owen. when i interviewed simon just after the release of that album he advised that his process of creating the soundtrack involved getting on set, hitting props, talking to the actors, recording stuff and generally making a nuisance of himself to try and capture the essence of a scene. ‘ i’ll sleep when i’m dead was pretty much improvised from my end,’ fisher turner explained to me back in 2004. ‘as they shot the film i worked at home on material that the editor was able to put in as a rough guide for the scenes. i had a good budget so i could test things out in the studio, bring them home, and rework them on the laptop, and then send them to the editor. i think finally i’d made up 9 cds’ worth of music for the film. a lot of it is very atmospheric and distant, more ‘sound design’.’ the final soundtrack would contain familiar fisher turner elements in the form of tapes and contributions from the likes of former blockhead gilad atzmon, but at its core were segments of noirish piano playing, the improvisations for which are documented on the second side of de dentro hacia afuera . in recent times we’ve become used to simon fisher turner almost dispensing with melody completely, but gathered here are a variety of modes and themes that evidence a unique skill at creating filmic moods with a minimal, discreet set of notes. styles here range from tentative jazz to experiments that appear to involve sliding objects along the strings, clusters of evocative notes and ominous chords. ‘solo piano improvisation #54’ is remarkable in two senses – first, as a piece of music (as opposed to considering it an assembly of sketches), it works just as dramatically as the fully realised soundtrack even without its additions and processing; second, it gives a rare insight into the early workings of a simon fisher turner piece. fisher turner has himself said that his pieces are never really ever finished, often continuing to evolve further beyond the point where they’ve been submitted to a director and used in the finished film. the distance between early ideas and finished piece is thus immeasurable, making this document all the more intriguing. though edited sensitively into a sequence and narrative by philip marshall, the result is still a recording of a work at its earliest stages, yet still capable of standing up as a complete work in its own right. thanks to philip at the tapeworm and simon fisher turner. originally posted 2013; re-posted 2018. (c) 2013 mja smith / documentary evidence share this: click to share on twitter (opens in new window) click to share on facebook (opens in new window) click to share on google+ (opens in new window) click to email this to a friend (opens in new window) more click to print (opens in new window) click to share on reddit (opens in new window) click to share on tumblr (opens in new window) click to share on pinterest (opens in new window) click to share on pocket (opens in new window) like this: like loading... posted in uncategorized , non-mute / related , tapeworm reviews | tagged mute , mute records , sft , simon fisher turner , tapeworm | leave a reply post navigation ← older posts search recent posts parallax – push for the love of life (mute records single, 1993) frank tovey & the pyros – grand union (mute records album, 1991) veryrecords artists reed & caroline reveal new track ‘before’ veryrecords artist alka remixes roger o’donnell’s ‘this grey morning’ electronic sound issue 42 – mute cover feature & the normal clear vinyl 7″ recent comments billyd on electronic sound issue 42… border community on documentary evidence 2017 top… 429harrowroad on documentary evidence 2017 top… jean-marc on documentary evidence 2017 top… 429harrowroad on recoil – bloodline (mute… archives june 2018 may 2018 april 2018 march 2018 december 2017 november 2017 october 2017 september 2017 july 2017 june 2017 may 2017 april 2017 march 2017 february 2017 january 2017 december 2016 november 2016 october 2016 september 2016 august 2016 july 2016 june 2016 may 2016 march 2016 february 2016 january 2016 december 2015 november 2015 october 2015 september 2015 may 2015 april 2015 march 2015 february 2015 january 2015 december 2014 october 2014 september 2014 august 2014 july 2014 june 2014 may 2014 april 2014 march 2014 categories album reviews book reviews cat werk imprint album reviews central control international albums central control international singles clash features clash interviews clash reviews cocktails compilations electronic sound interviews electronic sound reviews features feeder reviews fiction film and dvd reviews interviews live reviews merchandise miscellaneous non-mute / related photos playlists reissues single reviews tapeworm reviews the people's electric this is not retro reviews totalmk reviews uncategorized very records album reviews veryrecords meta register log in entries rss comments rss wordpress.com follow blog via email enter your email address to follow this blog and receive notifications of new posts by email. join 1,422 other followers search advertisements create a free website or blog at wordpress.com. documentary evidence blog at wordpress.com. post to cancel send to email address your name your email address cancel post was not sent - check your email addresses! email check failed, please try again sorry, your blog cannot share posts by email. privacy & cookies: this site uses cookies. by continuing to use this website, you agree to their use. to find out more, including how to control cookies, see here: cookie policy %d bloggers like this:

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